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![]() So where does a story like this go when it’s obvious right from the get-go there is something deeply twisted going on under its surfaces? Cinema has already given us two versions of The Stepford Wives as well as Suburbicon and Blue Velvet and Pleasantville and any number of other films about the corrosive underbelly of pleasant, old-fashioned domesticity. The movie isn’t exactly subtle on this point. “The people we are playing were real people in a world very much our own,” Pine said. ![]() At the Venice press conference for the film, Wilde and her cast talked about how despite the period trappings of the movie, it’s really about today. There is grace in symmetry.” On the radio, the voice of Frank (Chris Pine), the Victory Project’s leader, offers forcefully stated bromides such as “You are worthy of the life you’ve chosen.” Later, he’ll talk about how the enemy of progress is chaos. The women go to dance classes where they are told, “There is beauty in control. The men drive off in gleaming, uniform, multicolored cars into the desert. The wives all wave their hands in unison at their husbands. ![]() The Chambers’ neighborhood is part of something called “the Victory Project,” where everything is cleanly coordinated and regimented, where men are men and women are women, where steaks and cocktails are waiting when hubby gets home, and where the characters are rewarded with lots of happy kids and/or great sex.Ĭlearly, something is deeply wrong here. military during the development of the atom bomb. Set in a carefully manicured, mid-century suburban utopia placed smack in the middle of a desert, Darling explores the growing self-awareness of a young housewife, Alice Chambers (Florence Pugh), whose doting husband Jack (Harry Styles) sets off every morning with all the other men to a top-secret job where he works with what is referred to only as “progressive materials.” There are overtones here of the “ secret cities” of the Manhattan Project, the prefab residential communities built by the U.S. The film is smooth, competent, (mostly) well acted, and merely tedious. Hearing all the rumors of a troubled set and of actors falling out with the director, one might have expected a cacophonous, cobbled-together catastrophe. Arriving at the Venice Film Festival on a rapidly growing tidal wave of toxic buzz, Olivia Wilde’s Don’t Worry Darling is neither as bad as some are clearly hoping it will be nor as good as it probably needs to be to overcome the public-relations nightmare its press rollout has become. ![]() While I could, just barely, see an improvement in per-pixel noise levels, it tended to be drowned out by the grain of the film itself. Even with the highest-contrast negatives, I couldn't see a noticeable difference from multi-exposure scanningĭepending upon how your scanner functions, both techniques can increase scan times significantly, but they offer the potential for improved image quality with contrasty negative film at a high bit depth, and if your scanner lacks sufficient dynamic range in the first place.Įven with the highest-contrast negatives in my collection, though, including everything from full sunlight to very deep shadow, I couldn't see a noticeable difference from multi-exposure scanning, so it's definitely an edge case option to leave disabled unless you really need it, though.Īnd the same was true of VueScan's multi-sampling. Additionally, VueScan can repeatedly scan images up to 16 times without varying the exposure to reduce readout noise levels. If supported by your scanner hardware, both SilverFast and VueScan can scan your film multiple times with different exposure levels, in something akin to HDR photography, allowing for a single output image with greater dynamic range. One feature entirely absent from Epson's software is support for multiple-exposure scanning, something both of its rivals offer. Epson lacks multi-exposure / multi-sampling, but they're for edge cases In terms of blending, SilverFast trailed its rivals a little overall, but the corrections from all three are only really noticeable when viewed 1:1 against a fairly smooth background such as sky or clouds. ![]() Clockwise from top, uncorrected, high, medium and low hardware anti-dust.Įpson Scan had a slight edge over VueScan in terms of how well it blended its corrections into the surrounding image, although it was close. hardware anti-dust (right).ġ00% crops from VueScan. hardware anti-dust (right).ġ00% crops from SilverFast. All three programs did a pretty good job here, and were able to get rid of almost all but the very finest horizontal scratches at their highest settings, although Epson and VueScan both left a touch more than did SilverFast.ġ00% crops from Epson Scan. Hardware dust reduction was another story. With that said, I found that neither software implementation did a good job, tending to remove more of the actual image than the dust and scratches no matter how they were configured.ġ00% crops from SilverFast. Clockwise from top, uncorrected, high, medium and low software anti-dust.īoth Epson Scan and SilverFast offer a choice of hardware or software dust correction, and the latter also allows both to be combined at once. Here, there's significant potential for retouching time to be slashed if your application does a good job out of the gate.ġ00% crops from Epson Scan. Dust reduction is another matter, at least if your scanner supports infrared dust reduction. This is possibly due to SilverFast's higher default sharpening, and is shown here at 200% scale for emphasis.Įpson and SilverFast do the best job of dust reductionĬolor correction and grain reduction are both relatively easy to fix in Photoshop after scanning, though. SilverFast seemed more prone to scanning artifacts than its rivals, although I did notice them to some extent in the other apps too. SilverFast, meanwhile, was prone to introducing unsightly banding artifacts that its rivals avoided. While Epson Scan's grain reduction is stronger at its maximum, it visibly softened fine detail more than did VueScan. ![]() Of the three, I have to give this one to VueScan. Clockwise from top left: uncorrected, high, medium and low grain correction. Clockwise from top left: uncorrected, high, medium and low grain correction.ġ00% crops from VueScan. Clockwise from top left: uncorrected, high, medium and low grain correction.ġ00% crops from SilverFast. Each program was operating at its defaults other than the grain correction.ġ00% crops from Epson Scan. The 100% crops below come from this overall scene. All three programs allow a three-step control over grain reduction strength. This was in part because each app's varying tone curves and sharpening tended to emphasize grain differently in the first place, and also because I mostly tended to shoot only film at ISO 800 or below. ![]() Photo By: Focus Wine Cellars Which Option is More Affordable? These days, thanks to innovation and technology, the sky is the limit. In Victorian times, the wine cellar was usually just a few shelves in the basement of the home. And, as bonus it can actually add value to your home. If your collection is rapidly expanding and the type of wine you’re buying requires long-term aging, if you see yourself staying in your home for a long time, and if you want the ability to add your own creative flair to the design, then a dedicated storage space or wine cellar is the best option for you. Likewise, if you’re limited on space, finances, or plan on moving in the future, wine fridges are relatively portable and replaceable as your lifestyle changes. If you’re just starting out and not sure how far you’ll go with your collection, a wine fridge might be enough. This decision also requires some projection into the future: where do you see yourself in five, ten, or more years? This is for you to decide, and will be based entirely on your needs, your means and your lifestyle. Mid-priced red blends with 5-10 years of age.Accessible, light reds like Pinot noir and Zinfandel.Wine refrigerators offer less precise control over temperature and humidity, so they’re better suited to wines that don’t require much, if any aging: How wine ages and which wines have the most aging potential is an important part of any custom wine cellar. In a well-maintained cellar, these wines can age for 20-30 years or more. While there are some whites that can age (like German Riesling and Chablis), big, bold reds with ample tannins, alcohol, and acids are best for long-term collecting. Best Wines Based on Wine Storage OptionsĪre there specific types of wines that are better suited to each storage format? Yes, and here’s why: Best Wines for CellarsĪ properly built and maintained wine cellar will last a lifetime, which means you can stock it with wines that will, too. These zones are typically not as accurate as they would be in a professional cellar. More sophisticated dual-zone refrigerators allow for the storage of red and white wines at separate temperatures, for aging and serving. And lastly, staunch collectors claim that vibrations, in this case coming from the compressor unit, can damage wines.Īnother issue with wine refrigerators is that depending on the quality of the build, they may not last as long and if they break, allow for fewer repair options. As mentioned, wine fridges typically do not have humidity control. Dual zone models can be unpredictable and inaccurate. The relative simplicity of wine refrigerators makes it less conducive to storing fine wine: For one, they’re known for “hot spots” where the temperature can fluctuate. The cooling unit is isolated to eliminate vibration even theft is less an issue in a dedicated space. Wine cellars can also offer greater UV protection from sunlight and ambient lighting. And these professional systems can be more precisely zoned for wines that require different aging environments. Humidity control is essential for corked bottles, which need moisture to age properly. ![]() Since custom wine cellars have more accurate cooling systems, they’re best for expensive wines that require a very stable environment. They’re more suited to storing everyday wines and bottles not meant for the long run. Wine refrigerators are often more durable and practical, and add a point of interest for bars and restaurants. And they’re often works of art, built with luxury materials, lighting, and technology to add to the ambiance. Modern cellars are vapor-sealed and use advanced cooling systems to automatically manage the environment. These custom-built enclosures range in size from a small pantry or closet to full-sized rooms that hold thousands of bottles. Now, they can be located anywhere in the home. Modern storage spaces have come a long way. Most early wine cellars, even among the Victorian elite, consisted of just a few simple shelves to stack bottles on. In the old days, the basement had the coolest and most consistent temperature in the house. Wine Cellars are the original wine coolers and have been around for hundreds of years. ![]() In this article, we’ll talk about the differences and weigh the pros and cons of each application. While both are viable ways to store wines, each one is designed for a slightly different job. ![]() The two most popular options for storing fine wine are with a wine cooler or wine refrigerator unit, or in a custom wine cellar. As your taste for fine wine evolves and your collection grows, you’ll inevitably need a better place to store those classic wines properly. One moment you’re innocently buying $5 wine at the supermarket, and the next you’re bringing Bordeaux Grand Cru home in your suitcase. 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